The Annual Quiche Breakfast of the Susan B. Anthony Society for the Sisters of Gertrude Stein is back in the Fischer Black Box at Las Vegas Little Theatre by popular demand for a limited encore presentation. After winning the Best of the Las Vegas Fringe Festival last month, the hilarious Poor Richard’s Players’ production of “Five Lesbians Eating a Quiche,” written by Evan Linder and Andrew Hobgood (men, it must be duly noted), it’s easy to see why.
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Arts & Culture
Art festivals usually are about viewing the work of artists and, then, maybe dropping a few dollars to purchase one of their pieces to display in your own home. But visitors to this weekend’s Art Festival of Henderson also will have the chance to take their artistic leanings one step further by putting their own talent to work by painting a piece that they can take home and hang on their own walls.
Jerry Lewis always has been associated with pictures — moving pictures, that is. During his Hollywood heyday, however, Lewis also trained his eye — and camera — on another type of pictures — and they’re the focus of a new exhibit opening Friday at UNLV’s Marjorie Barrick Museum.
Drawing room comedies are tricky things. Stylistically, nobody did them better than Noel Coward. Then along comes a modernist one by Jon Robin Baitz, with crisp rather than droll dialogue. The main plot of “Other Desert Cities,” a finalist for the 2012 Pulitzer Prize for Drama, brings to mind a couple of Pat Conroy novels.
In an era of Bluetooth technology and smart phones, an evening of operas centered on the old-fashioned telephone might seem as quaint as if the singers were riding about the stage in horse and buggy. Yet, Sin City Opera’s production of “The Telephone” by Gian Carlo Menotti and “The Human Voice” by Francis Poulenc are oddly resonant with modern technology, seeming to comment upon both obsessive texting and dropped cell calls. Can you hear me now?
If you were driving past The Venetian Las Vegas today and thought you saw Spider-Man crawling on the side of the building, don’t worry, you aren’t going insane.
Nevada Conservatory Theatre presents a version of the adored musical “Grease” that is within reach but frustratingly slips through the fingers.
Soprano Renee Fleming filled Reynolds Hall on Thursday with her incomparable voice and her infectious personality.
Nevada Conservatory Theatre’s ‘Grease’ combines elements of stage, screen favorite.
Space is the place — at least downtown — thanks to an out-of-this-world First Friday. Or maybe a “Disney on Ice” production is more your speed. These events and much more this weekend.
In John Tomasello’s Storybook Theater class, children don’t just listen to him read books such as “Where the Wild Things Are.”
The revelation of long-buried secrets disrupt a showbiz family’s holiday get-together in “Other Desert Cities,” which concludes Las Vegas Little Theatre’s mainstage season.
Every year on the first Saturday of May, comic book shops cater to the desires of geek culture and hand out free comic books to all who enter, the super fans.
While A-listers got snubbed, musicals “A Gentleman’s Guide to Love and Murder” and “Hedwig and the Angry Inch” got all the love.
Sexual innuendo is high as Las Vegas Little Theatre presents its 2014 New Works Competition Winner “Little Black Book” by Thomas J. Misuraca in their Fischer Black Box. In its firstever production, the show is a keenly hilarious, often bawdy, dramedy.
The Rainbow Company Youth Theatre production of “Ozma of Oz: A Tale of Time,” a stage adaption of the third Oz novel by L. Frank Baum opens on a minimalist set that consists of a stack of rainbow-colored suitcases, a wardrobe shaped box, a bucket and mop and chains hanging from the risers. A child seated behind me asked, “What is the bucket for? What are the chains for?” The child’s father answered wisely, “I don’t know, but we’ll find out.”
Forensic computer experts from Carnegie Mellon University have uncovered previously unseen digital artwork from 60s pop artist Andy Warhol.
Renee Fleming, sometimes called “the people’s diva,” makes her (public) Las Vegas debut Thursday at The Smith Center with “Guilty Pleasures,” a selection of favorites ranging from opera to Broadway.
Thomas Misuraca’s “Little Black Book,” winner of Las Vegas Little Theatre’s 2014 New Works Competition, opens a three-weekend run Friday in LVLT’s Fischer Black Box space.
Henderson celebrates two anniversaries — the city’s and its weekly farmers’ market — with Saturday’s Heritage Parade and Festival, themed “Let’s Go to the Market.”
For sculptor Dorit Schwartz, her art is all about an appreciation for the organic beauty found in nature. The Summerlin resident’s work will be part of the 30th anniversary of the Mission Federal ArtWalk, scheduled for April 26 and 27 in San Diego, and featured at the St. Jude black tie benefit set for May 3 at The Smith Center.
When Linda Campbell moved to Las Vegas from Los Angeles last fall, she was unaware that the Red Rock Canyon Interpretive Association was looking for artists for its first residency program. Her husband saw the flier and urged her to look into it. Of 20 entrants, she was one of three selected.
Internationally known painter and sculptor Graham Knuttel of Ireland is teaming up with students from the Las Vegas Academy of Arts to paint a mural to be placed on the Neonopolis building.