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Monday, January 20, 1997
Philharmonic gives soothing concert | |
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JULIA OSBORNE Review-Journal
By Julia Osborne |
The score calls for an ensemble heavy on horns; perhaps it was the abundance of strings that gave it a sonorous sound here. The subtlety was present in too many passages, resulting in an offering that was generally without passion and sometimes downright muddy. Mozart lovers were far more satisfied with the rendition of "Piano Concerto No. 21 in C major, K.467." Not only did Parker provide a winsome interpretation of Mozart's music; he added his own interpretations--and variations--to the cadenzas. Though Mozart will never make pulses pound, Parker gave this piece an appropriate vibrancy, complemented by Kord and the orchestra. As for his demeanor? "Close your eyes," commented one knowledgeable audience member. "Then he's fine." After intermission, the orchestra returned with Beethoven's "Symphony No. 3 in E-flat major, Op. 55/'Eroica'." The work calls for a vast display of sentiment. Interpretations over the years have characterized it as outlining a battle and the ensuing loss, the history of a hero or even the entrance of the 19th century. The second movement, "Marcia Funebre," has been said to be Beethoven's version of Napoleon's funeral march. This was the best offering by the Warsaw. Perhaps its varied feelings inspired Kord and his musicians to reach more deeply, beyond the dependable to the emotional. A lively scherzo led to a complex, rhythmic finale. This was not an evening which was seared upon the memory of those in attendance. It was a solid offering of dependable classics É easy listening in the true sense of the phrase. And -- though something beyond that is always appreciated -- frequently, that's all that's really required. |
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