The droll British comedy magician has expanded his thrice-weekly Flamingo show into a bit of a “Pee-wee’s Playhouse” format with plenty of distractions.
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Las Vegas has long been searching for another custom of entertainment as nightclubs drain the audiences for traditional sit-and-watch shows. “Immersive” or “interactive” have become buzzwords for attempts to make show-going more fun.
Playing casinos for more than 20 years shows in the group’s current five-night stand, which only occasionally seems to appreciate its longevity.
The superstar used the resident entertainer’s model to reach a number that it will take other concert stars years to match.
The Tropicana’s new show wants to be more than a sassy dance revue, but its theatrical, musical elements don’t hold their own.
Vinnie Favorito is likely to have all of his debts beyond the IRS discharged after filing Chapter 7 on Sept. 7.
‘Puppet Up!’ and ‘Spoofical’ had different reasons for closing, but neither answer the question of why so many shows are closing, and what people want to see on the Strip.
Having settled in at a comedy club at the MGM Grand, Tyson’s “Undisputed Truth” one-man show seems routine enough to him now. The surprises come more when he veers from the script.
The Frankie Valli bio closes Sunday as the most successful Broadway-to-Vegas transplant.
An outdoor concert in 1990 pointed casinos to a lucrative weekend. Plus, could the Broadway closing of “Jersey Boys” make local producers reconsider?
Comedian with history of personal loan troubles jumps from Hooters to Westgate with a better offer and no complaints by management.
The venerable Mandalay Beach and newer Drai’s Las Vegas both offer the hybrid concert experiences Las Vegas casinos yearn for.
Strip now hosts rival anatomy exhibits. Plus, Buddy Greco turns 90 and Blue Man chalks up 10,000.
When the singer wrapped six years at Harrah’s Las Vegas nearly a decade ago, locals gladly stole him away. But now we have to give him back, to see if a long-shot return to the Strip can pay off.
As the casino celebrates its 50th anniversary, its bygone showroom and current theater are perfect symbols of old and new Vegas.
Performers have to assess their future in the wake of losing “false sense of security” with casino shows.
The makeover of Cirque du Soleil’s Beatles tribute punches the video and dancing without abandoning its wistful themes.
Clint Holmes’ return to the Strip comes with a 10 p.m. time slot that may challenge fans. Also, Caesars says its retro lounge will continue to host entertainment after Matt Goss’ exit.
The former “America’s Got Talent” contestant brings a physicality and body language to magic, but don’t dismiss him with that other M-word … mime.
The reboot of his Luxor show brings allegations from other magicians and the bigger question of why the new material isn’t more groundbreaking.
Base Entertainment repeats past mistakes in letting a show’s overhead get beyond realistic sales expectations.
What’s the difference between Garth Brooks and the Rolling Stones? Start your own office punch-line contest, but here’s one answer: Five shows and $665.
No one gets rich, but “Country Superstars” and “Evil Dead” musical find fans and brand recognition in the shadow of the big shows.
A congressional resolution would acknowledge magic as an art form, but Criss Angel calls it self-promotion for a rival.
“Hamilton” should keep Strip properties interested, but The Smith Center has become an effective host for most Broadway musicals.
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