All year long, those who choreograph Las Vegas nightlife meticulously plot and plan. Data are analyzed, customer counts are calculated and potential earnings are compared side-by-side with marketing and operations budgets.
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To find Ffolliott “Fluff” LeCoque’s office in Bally’s, visitors must walk down a narrow hallway, past a row of about seven vivid yellow-and-white-feathered arm cuffs hanging from a bar to the right. An equal number of matching jewel-covered headdresses rest on a white shelf, just above the cuffs.
Judy Alberti is an entertainment industry veteran. For 15 years, she’s been responsible for Station Casinos Inc.’s entertainment strategy, bookings, budget, production and promotion. As the casino company has grown, so has the number of venues and concerts she oversees.
For about a decade, much of Tony Vegas’ repertoire as a spray-paint artist stuck mainly to cosmic scenes of stars and planets.
Rick Lax spreads a deck of 52 cards across a table in the patio area of a west valley bagel restaurant and tells his visitor to pick a card.