Director Martin Scorsese and Leonardo DiCaprio revisit the anything-goes late ’80s and early ’90s with such debauchery that it should elicit abject horror but mostly plays as comedy.
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For a movie that’s all about literally going home again, “The Hobbit: The Desolation of Smaug” is further proof of just how hard it is to do so figuratively.
“Out of the Furnace’s” plot is almost stunningly straightforward. No twists, no turns. There’s literally nothing fancy about it. Director Scott Cooper just trusts his talented cast to burrow deep into their roles.
James Franco is both the best and the worst thing about “Homefront,” the new backwoods thriller in which Jason Statham turns rednecks into broken-necks.
How good is “Dallas Buyers Club”? Matthew McConaughey shed nearly 50 pounds for his role, blows the walls off of whatever boxes Hollywood has put him in and doesn’t utter a single “awright, awright, awright.”
“Thor” was half of a very good superhero movie. Thrust into a civilization of Earthlings he couldn’t quite comprehend, Chris Hemsworth’s swaggering Asgardian made for some delightful god-of-thunder-out-of-water moments.
It’s being positioned as “The Hangover” for the stooped over. A raucous “Cocoon” in a casino. But “Last Vegas” isn’t that movie.
By now, raving about Benedict Cumberbatch has become as commonplace as chatting about the weather or complaining about that thing Miley Cyrus won’t stop doing with her tongue.
“Rush” is so engrossing, you can be completely swept away even if you don’t know your Formula One from your Formula 409.
“The Spectacular Now” rode out of Sundance atop an avalanche of positive buzz and near-rapturous reviews.