Of the more than 50 pilot episodes commissioned for the 2020-21 season, just one was completed before Hollywood sent everyone home.
Entertainment Columns
Of the nine movies up for the top prize at Sunday’s awards, only “Parasite” and “Marriage Story” are contemporary tales.
For its 19th edition, scheduled for Thursday through Jan. 26, the festival is reaching farther outside the tent than ever before.
It’s the year’s most-watched new series in England aside from the thriller “Bodyguard,” but it won’t be joining that pop-culture sensation on Netflix.
During the 1960s, as turbulent a decade as our nation has seen, enough Americans were able to set aside some of their differences to put a man on the moon.
Not only is “Fifty Shades Freed” expected to spank the competition at this weekend’s box office, it will tie up the loose ends on an era of moviemaking.
I’m not certain if “Fifty Shades Freed” is marginally better than its predecessors, or if I’ve just grown accustomed to the awfulness of these movies.
Some of TV’s biggest phenomena — “American Idol,” “Survivor,” “Dancing with the Stars,” “Who Wants to Be a Millionaire?” — all started in the summer.
The Dark Universe. The name doesn’t exactly capture the imagination, does it?
Found-footage movies have been a staple of horror cinema for years. But this psychological thriller feels like the start of a new genre: the lost-footage movie.
If Animal Planet were in the original movie business, “Megan Leavey” would be a perfect fit.
King Kong’s in the spotlight this week with the release of “Kong: Skull Island,” but Godzilla (who will face Kong in a 2020 film) gets all the attention at Sake Rok at The Park.
“Manchester by the Sea,” “Nocturnal Animals” and “Miss Sloane” count no fewer than seven potential acting Oscar nominations among them
It’s the movie theater you’ve been waiting for. Literally and figuratively. After a weeklong test run, Eclipse Theaters, 814 S. Third St., is celebrating its grand opening on Thursday, more than two years after its first announced opening date.
Put Tom Hanks in charge of pretty much any vessel — be it the container ship from “Captain Phillips,” the lunar module from “Apollo 13,” even the school bus from “Bachelor Party” — and something is bound to go wrong.
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