Construction of the new Las Vegas Convention Center West Hall is 95 percent complete and on track for a Dec. 14 completion with workers doing finishing work now.
Christopher Lawrence
Christopher Lawrence is the movie critic for the Las Vegas Review-Journal.
clawrence@reviewjournal.com … @life_onthecouch on Twitter. 702-380-4567
The gangster epic, which opened Friday, is at the heart of a long-running dispute between Netflix and movie theater owners.
With a new batch of “Arrested Development” episodes hitting Netflix on Friday, here’s a look at some of the other revivals in active development.
“Love Actually” just may be the quintessential modern Christmas movie. Here are 15 reasons why.
Disney might as well have a license to print money.
“The Assassination of Gianni Versace: American Crime Story” is inherently more interesting than its acclaimed predecessor, “The People vs. O.J. Simpson.”
In honor of “Star Wars: The Last Jedi’s” Porgs, here’s a look at characters who nearly ruined installments of popular movie franchises or tarnished our memories of beloved TV shows.
It turns out you really can get audiences excited about seeing an acclaimed movie that deals with moral complexity, war crimes and how many monstrous acts someone would commit against his friends simply to survive. You just have to make sure that most of the characters are monkeys.
Terry Notary has helped bring everything from Hulks to Whos, orcs to Na’vi, and every sort of ape imaginable — including those in this weekend’s “War for the Planet of the Apes” — to the big screen as one of Hollywood’s top movement coaches and motion-capture artists.
Upfronts week still serves a purpose. It’s the time when the networks trot out their new shows for the upcoming season and seek to pry money from advertisers with a series of dog-and-pony shows.
Cyberterrorism. An electromagnetic pulse weapon. Nuclear launch codes. A Russian submarine. And one very orange Lamborghini skidding across a frozen Barents Sea.
More than 40 million people visit Las Vegas every year. I’m guessing “Sleepless” screenwriter Andrea Berloff isn’t one of them.
By turning Mark Wahlberg into SuperCop, the Boston Marathon bombing movie sacrifices a large chunk of its credibility.
All it took was 17 years and the removal of George Lucas from the process to finally make a proper “Star Wars” prequel.
Nicolas Cage may not make ’em like he used to, but he is still making ’em in Las Vegas.