Simon Cellan Jones read Mark Wahlberg’s “The Family Plan” script and says he was “kicking the door” to work in Vegas.
Entertainment Columns
Jimmy Kimmel’s Comedy Club star Luenell has pushed boundaries for decades.
The hits and misses of his four-decade Hollywood career form the backbone of Rob Lowe’s one-man show.
The 18th annual Las Vegas Jewish Film Festival is a celebration of “chai.” As in the Hebrew word for “life,” not the type of tea.
In the span of five short years, I’ve gone from marveling at Melissa McCarthy’s comedic sensibilities to walking into her movies with the sort of dread usually reserved for IRS audits and colonoscopies.
For the most part, “Kong: Skull Island” is just an excuse — albeit a more entertaining one than it should be — to launch a series of big-budget monster battles. But thanks to Reilly’s Hank Marlow, and things take a hilariously bonkers turn.
In the days before Wikipedia, many a student assigned to read “Moby-Dick” did so via CliffsNotes, those truncated little study guides that summarize a novel’s plot and themes at the expense of a real understanding of the text.
It’s a little-known fact of film criticism: Saturday morning screenings are almost universally awful.
To the surprise of almost no one, M. Night Shyamalan has made 80, maybe 85 percent of an entertaining movie.
The native Las Vegan is never mentioned in the HBO tennis mockumentary “7 Days in Hell.” But the spiky blond mullet and denim shorts sported by Aaron Williams, Andy Samberg’s “bad boy of tennis” character, are unmistakable.
Here’s a look at this week’s new movies, “The Drop,” “Dolphin Tale 2,” “No Good Deed,” “Atlas Shrugged: Who Is John Galt?,” and “Something Wicked”:
Here’s a look at this week’s new movies, “Dawn of the Planet of the Apes,” “The Grand Seduction” and “Third Person.”
After some exhilarating, genre-melting moments in director Baz Luhrmann’s wildly anachronistic take on “The Great Gatsby,” things settle down and more closely resemble F. Scott Fitzgerald’s classic tale of love and loss amid the opulence of the roaring ’20s.
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