Lainey Wilson is set to perform at MGM Grand Garden, side-saddle with the National Finals Rodeo at nearby Thomas & Mack Center.
Music
Adele, who supports the monthlong Pride and LGBTQ+ causes, snapped at a fan who shouted at her on Saturday night.
John Mayer’s new show debuts Wednesday, while Flavor Flav launches June 10 from a brand-new studio on the Strip.
Ringo Starr saw his third, and final, performance of “Love” at the Mirage, as his All-Starr band closed its series at The Venetian.
With the Dead & Company back in town, so is Shakedown Street, peddling everything from car emblems to clocks to patches to jewelry to infant onesies.
The venue formerly known as The Mob Bar had been reconfigured to less-than-50-percent capacity seating, with masks required. It wasn’t enough for the GCB.
Blue Man Group’s cast and crew at Luxor were informed Monday they were being terminated, but told to be ready for the show to be back onstage eventually.
Keeping busy while sidelined, Piff also made a return visit to the hit series “Penn & Teller: Fool Us” on The CW on Monday night.
For a quarter century, Cirque du Soleil has been a Las Vegas Strip phenomenon. That bond is never more apparent than today, as the company leans on Vegas for support.
In a move that would have been unheard of even a year ago, Cirque du Soleil, the Las Vegas Strip’s preeminent production company for more than two decades, has filed for bankruptcy.
Club operator and comedian Don Barnhart says, “We’re ready for every curveball and contingency.”
Across the city, entertainers are quickly recalibrating to follow COVID protocols, which are in fact changing by the day.
Singers are required to wear masks down under their chins, or loop them over an ear, while singing, then pull them back up.
Similar to the live show, “Marriage Can Be Murder” Zoom guests work with the cast to unravel clues and solve the murder
“Absinthe” producer Ross Mollison says, “Ultimately we think we can get 222 people in there, and that would be a third of our current capacity and it’s just a question of making the show work.”