It may seem hard to believe, given the months of hype and speculation, that record-shattering opening and the merchandise — so very much merchandise — but movies other than “Star Wars: The Force Awakens” opened in 2015.
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Johnny Tocco’s Ringside Boxing Gym isn’t very glamorous or flashy like the rest of Vegas, but within the humble walls you can feel the authenticity of the place.
Fans of Quentin Tarantino know that if there’s one thing the writer-director loves — even more than bloody violence, music from the 1970s and women’s feet — it’s the sound of his own words.
When it was announced that David O. Russell’s next movie would tell the story of Miracle Mop inventor Joy Mangano, I couldn’t wait to see how the filmmaker responsible for such recent delights as “Silver Linings Playbook” and “American Hustle” could turn that into a compelling movie.
Patrick Marinelli is the main star ArleQuin in Circus Vargas, a family-operated dynamic show of acrobatics, aerials, trapeze and daredevil like stunts.
If 2015 has produced a more satisfying pop-culture moment than seeing Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) reunited with their beloved Millennium Falcon, accompanied by a bit of John Williams’ iconic score, I don’t want to know about it.
He is passionate about his vision for the aquarium to help save the world’s oceans and adamant that sharks are the animals that will accomplish this goal more than any other sea creature.
In the days before Wikipedia, many a student assigned to read “Moby-Dick” did so via CliffsNotes, those truncated little study guides that summarize a novel’s plot and themes at the expense of a real understanding of the text.
If nothing else, “Scrooged” should have taught Bill Murray the hazards of producing a live TV special on Christmas Eve.