“Crazy Rich Asians” doesn’t just embrace romantic-comedy cliches. It grabs those tropes by the waist and lifts them into the air, “Dirty Dancing”-style, before giving them a big, sloppy kiss on a crowded train platform in the rain.
Movies
Spike Lee is basically the filmmaking equivalent of the Hulk.
Barring some sort of last-minute public relations nightmare, Netflix will release the first season of “Insatiable” on Friday.
Few things will break you out of a rut and get your mind right faster than having a friend you haven’t seen in 30 years show up in your yard, unannounced, without wearing any pants.
Kayla Day is a baffling ball of hormones, anger and self-doubt.
If there’s one thing I could say to Tom Cruise, it would be this: CGI.
Think of it as “Justice League,” only with flatulence, poop jokes and rapping.
There’s more than a hint of resignation in the title. It practically sounds like a sigh.
It’s hard to imagine there wasn’t some sort of blackmail in play. Or, at the very least, a seriously compromising video or two.
“Skyscraper,” Dwayne Johnson’s hostages-in-a-high-rise action spectacle, owes an obvious debt to “Die Hard.”
On July 15, 1988, Bruce Willis burst onto movie screens as John McClane, the lone hero trying mightily to save his wife from inside a tall building, in “Die Hard.”
One of the least likely sequels since “Weekend at Bernie’s 2,” “Sicario: Day of the Soldado” seems engineered for maximum confusion.
Some films adapt classic works of literature. Others stem from original ideas fashioned by revered auteurs.
It’s been three years since the theme park was destroyed, and now Isla Nublar itself is in danger. There’s an active volcano on the island, ready to erupt at any minute, that will kill every last remaining dinosaur.
