Cork Proctor worked the lounge circuit in Las Vegas and Reno beginning in the 1970s, when he opened for such stars as the Supremes and Mel Tillis.
Music
Chazz Palminteri knows talent, and he knows the Bronx Wanderers. This is how a hit show came to be.
Rapper Flavor Flav dropped in to Red Lobster on Flamingo Road and Eastern Avenue last week, ordering the entire menu for himself and his family.
The Burlesque Hall of Fame Weekender, George Clinton and P-Funk, and Zach Bryan lead this week’s entertainment lineup.
The company seeks another sellout as its presents Giacomo Puccini’s classic “La bohème” this weekend.
The Greyhound bus station’s move out of downtown has cost a Plaza VIP guest his favorite means of transportation.
Andrew Dice Clay returns to the Vegas stage at Laugh Factory at the Tropicana.
Plaza is exclusively a home to stand-up comedy, with Nick Di Paolo reopening the venue Nov. 20-21.
Similar to the live show, “Marriage Can Be Murder” Zoom guests work with the cast to unravel clues and solve the murder
“Absinthe” producer Ross Mollison says, “Ultimately we think we can get 222 people in there, and that would be a third of our current capacity and it’s just a question of making the show work.”
It was a hot, sunny morning in VegasVille on Thursday. We know this because a tuxedoed, masked Phantom of the Opera sought shade under a palm tree near the “Welcome to Fabulous Las Vegas” sign.
Tony Award winner Brian Stokes Mitchell says, “What’s kind of fascinating, a lot of people don’t really realize most people in the entertainment business are gig workers.”
Naomi Mauro says of herself and husband, Gio,“We can make bread, a lot of bread,” Mauro said in a phone chat this week. “At first it was therapeutic, but so far it’s been something people are enjoying, so that’s good.”
Brad Paisley challenged Darius Rucker, who played Foster Lloyd’s “You Can Come Cryin’ to Me,” and Charles Kelley of Lady Antebellum has performed Call Me a Dog” by Chris Cornell.
Las Vegas Strip headlining magician Mat Franco says of his show, “It’s a learn-as-we-go kind of thing, a way to push me out of my comfort zone and still reach an audience.”