A response to the producer’s lawsuit claims “Vegas Nocturne” lost $1 million per month and defied the concept of integrated “social club.”
Shows
Some artists live for their art. Brian Gonzalez (or, to use his artistic alias, Taxiplasm) and Renzo Vitale live their art at “Tell Me Your Secrets,” a multisensory interactive art project now at The Cosmopolitan of Las Vegas’ P3Studio.
If your Fourth of July songbook begins with “The Stars and Stripes Forever” and ends with “America the Beautiful,” Clint Holmes, The Smith Center’s resident headliner at Cabaret Jazz, has a few other suggestions for you.
The romantic theme for Saturday’s Pops Concert was “Paris, Je T’Aime” (“Paris, I love you”) and orchestra, conductor and soloists played it to the hilt.
How ingrained is “A Bronx Tale” in Chazz Palminteri’s DNA?
The late, great Sands — “A Place in the Sun” for the Rat Pack and their followers — inspires a four-part entertainment and exhibition series focusing on the Copa Room and its mystique.
“The Tonight Show” band never had to play pop hits on school classroom instruments when Doc Severinsen was at the helm. But if there had been YouTube back then, the 86-year-old showman probably would have been game.
The version of “The Tempest” created by Teller and Aaron Posner is not stuffy Shakespeare by any stretch of the imagination.
Here we go again. “Again” being the operative word for legions of “Mamma Mia!” fans who can’t get enough of the spangled, spandex-bedecked jukebox musical spouting all ABBA, all the time.
By her own admission, Georgia Kate Haege isn’t your typical, “cookie-cutter” musical theater leading lady. Not with the “short, wild, curly hair” — and the tattoos. Then again, “Mamma Mia!” isn’t your typical musical.
The balance of power’s off. After all, when the musical’s called “Evita” and the title character’s not the one dominating the stage, you know something’s a trifle amiss.
What’s a nice Irish Catholic like Tom Dugan doing writing and starring in “Wiesenthal,” a one-man drama about Holocaust survivor and Nazi hunter Simon Wiesenthal?
The opera scene in Las Vegas remains in flux despite a cultural renaissance fueled by The Smith Center for the Performing Arts and the burgeoning Arts District.
You don’t have to know the 1992 movie “Sister Act” to enjoy the musical adaptation that hits The Smith Center Tuesday for an eight-performance run.
The Rainbow Company Youth Theatre is offering numerous opportunities this summer for youth interested in theater.