Sweden’s Opeth have evolved from a death metal battering ram to Jehtro Tull-lovin’ prog rockers.
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Baltimore dream pop duo Beach House brought a different dimension to Psycho Las Vegas.
Deafheaven brought shoegaze-informed black metal to the Mandalay Bay Beach.
Heavy on the harmonies and riffs alike, British doom rockers Uncle Acid & The Deadbeats possess a sound akin to modern classic rock.
Scottish instrumentalists Mogwai are known for their amps-to-11 live shows, where the dynamics inherent in their sweeping compositions come to exceptionally loud life.
Saturday night on Broadway was like the Fanilow Pop Festival.
The recording “Layla” with Derek and the Dominoes is among the last times Allman played that guitar.
“Good Boys” broke out of a crowded late-summer field of new releases.
Born Valenza Pauline Burke in Brooklyn, she was an immersive reader who loved old British novels, from “Tom Jones” to “Great Expectations.”
From Austin, Texas with a love of reverb comes psych rockers The Black Angels, whose climactic jams were as outsized as their home state.