What did Tom Cruise ever do to the “Mission: Impossible” movies? They’ve already hung him by his fingertips from the rock faces of Utah’s Dead Horse Point and left him dangling high above the streets of Dubai outside the world’s tallest building
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Ethan Hunt is the LeBron James of action heroes: He gets the job done no matter how much dead weight is on his team.
Jake Gyllenhaal is tremendous in the boxing tale “Southpaw.” The movie? Not so much. It’s the best performance I’ve seen in a bad movie since Julianne Moore won an Oscar for “Still Alice.”
Eight bits isn’t just the style of the video games celebrated in “Pixels”; it’s also roughly how much you should pay to see it.
In an era of high-profile musical residencies and six-figure nightly payouts to the world’s top DJs, it’s easy to forget that Las Vegas once was the place where entertainment careers went to die.
Good things come in small packages. "Ant-Man" isn‘t one of them. That‘s not entirely fair, as there‘s a decent amount of fun to be had in the story of a scientist who hires a cat burglar to steal back his most prized invention.
If other networks and cable channels seem like businesses — CBS, for instance, comes across like a procedural factory, cranking out the same series, over and over, with different casts — FX feels more like a family.
The native Las Vegan is never mentioned in the HBO tennis mockumentary “7 Days in Hell.” But the spiky blond mullet and denim shorts sported by Aaron Williams, Andy Samberg’s “bad boy of tennis” character, are unmistakable.
If Steve Carell had grown tired of voicing Gru or were demanding too much money to continue, you could understand why Universal would want to give the bumbling, mumbling critters their own movie.
The CW’s “Penn & Teller: Fool Us” is a bit of a reappearing act for the Rio headliners and “Sharknado 3” co-stars.