Splicing the artificial from the authentic is the challenge of “Opium,” opening March 13 at the Cosmopolitan of Las Vegas.
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Not only is “Fifty Shades Freed” expected to spank the competition at this weekend’s box office, it will tie up the loose ends on an era of moviemaking.
I’m not certain if “Fifty Shades Freed” is marginally better than its predecessors, or if I’ve just grown accustomed to the awfulness of these movies.