Given the abrupt face-plant that was 2020 — shutdown, desperation, sourdough in excelsis — one reasonably expected 2021 to be an improvement. It was, sort of.
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Burton-esque “Sandman” marks Majetic Repertory’s return to the stage after a year of inventive pandemic productions
If you remember 9/11, you probably remember that among the sentiments that followed the tragedy was a kind of enforced solemnity: Thou shalt not laugh.