Two wolves at opposite ends of their pack’s social order are forced to work together to survive in this animated adventure featuring the voices of Justin Long, Hayden Panetierre, Danny Glover and the late Dennis Hopper. At multiple locations; in 3-D in select locations. (88 min.) PG; rude humor, mild action.
A 17-year-old (James Frecheville) tries to navigate the treacherous territory between his explosive crime family and the detective who thinks he can save him in this acclaimed Australian thriller, which captured the grand jury prize for world cinema at this year’s Sundance film festival. Guy Pearce, Joel Edgerton, Luke Ford and veteran Jacki Weaver round out the starring cast for debut writer-director David Michold. At Village Square. (113 min.) R; violence, drug content, pervasive profanity.
A group of people trapped in an elevator realize that they’re in for a devil of a time when they realize Satan himself is along for the ride in this thriller based on a story by “Sixth Sense” director M. Night Shyamalan. Chris Messina (“Julie & Julia”), Logan Marshall-Green (“Dark Blue”), Jenny O’Hara (“Big Love”), Bojana Novakovic (“Edge of Darkness”) and Bokeem Woodbine (“Saving Grace”) star for directing brothers Drew and John Erick Dowdle (“Quarantine”). At multiple locations. (80 min.) PG-13; violence and disturbing images, thematic material, profanity, sexual references.
A good-girl student (“Zombieland’s” Emma Stone) uses her high school’s rumor mill to enhance her bad-girl reputation when word gets around that she’s no longer a virgin in this teen comedy co-starring “Gossip Girl’s” Penn Badgley, Amanda Bynes, Thomas Haden Church, Patricia Clarkson, Stanley Tucci and Lisa Kudrow. At multiple locations. (93 min.) PG-13; mature thematic elements involving teen sexuality, profanity, drug material.
I’M STILL HERE
Subtitled “The Lost Years of Joaquin Phoenix,” this documentary (or is it a mockumentary?), much of it filmed in Las Vegas, follows the Oscar-nominated Phoenix as he announces his retirement from acting — and his plans to reinvent himself as a hip-hop musician. Casey Affleck (Ben Affleck’s younger brother) directs. At Palms. (108 min.) NR; profanity, full-frontal nudity, sexual situations, drug use.
In this Filipino drama, a devoted daughter (Bea Alonzo) confronts long-buried family secrets when, after 10 years of living with his mistress, her father returns to her mother (Lorna Tolentino) and their children. Laurice Guillen (“Tanging Yaman”) directs; Christopher De Leon, Coco Martin, Enchong Dee and Miles Ocampo round out the starring cast. In Tagalog. At Village Square. (90 min.) NR; rated PG-13 by the Philippines ratings board.
Reviewed on Page 29.
THE VIRGINITY HIT
“Last Exorcism” screenwriters Huck Botko and Andrew Gurland switch genres for this comedy about a group of horny teens trying to document their nerdy pal’s sexual initiation — on the Internet. Matt Bennett (“Victorious), Zack Pearlman, Jacob Davich, Justin Kline and Krysta Rodriguez co-star in this comedy produced by (among others) longtime co-conspirators Will Ferrell and Adam McKay. At Town Square. (87 min.) R; strong crude and sexual content, nudity, pervasive profanity, drug and alcohol use.
WAKING SLEEPING BEAUTY
This documentary explores the 1984-1994 renaissance of Disney animation, as such hits as “The Great Mouse Detective,” “The Little Mermaid,” “Beauty and the Beast” and “The Lion King” rebuilt the moribund Mouse House. At Tropicana Cinemas. (66 min.) PG; thematic elements, brief profanity.
ALREADY IN THEATERS
Movies are rated on a letter-grade scale, from A to F. Opinions by R-J movie critic Carol Cling (C.C.) are indicated by initials. Other opinions are from wire service critics.
(B) An assassin (George Clooney) hiding out in an Italian village, prepares for one last job in this quiet, haunting thriller from “Control” director Anton Corbijn. Irina Bjorklund leads the supporting cast of this beautifully shot but overly familiar (and deliberately paced) tale. It would be nice if Corbijn eased up on the mournful seriousness, but there’s no denying that “The American” is transfixing in its muted grace. (105 min.) R; violence, sexual content, nudity.
CATS & DOGS: THE REVENGE OF KITTY GALORE
(B) Calling a truce, canines and felines team up to thwart the rogue title character (voiced by a deliciously over-the-top Bette Midler) in this 3-D talking-critters spy spoof, a sequel to 2001’s “Cats & Dogs.” Along with the fur, the jokes fly fast and furious, but the visual effects too often look fake. Still, it’s a delightful idea that cats and dogs not only enjoy a rich interior life while humans are away, but also function as highly trained super spies, complete with elaborate gadgetry. (82 min.) PG; animal action and humor.
(B) Assisted by a legion of jabbering, goggle-eyed Minions, the villainous Gru (voiced by Steve Carell) plots to outwit a nerdy rival (voiced by Jason Segal) by committing the world’s most dastardly crime — until a trio of adorable orphan girls changes his focus from bad to dad. This cheeky computer-animated tale combines deftly detailed animation, impish slapstick humor and expert use of 3-D, entertaining kids and their parents with equal flair. (95 min.) PG; rude humor, mild action. (C.C.)
DINNER FOR SCHMUCKS
(C) Not much bite: “Anchorman” and “40 Year-Old Virgin” castmates Steve Carell and Paul Rudd reunite for an undercooked remake of the 1998 French farce “The Dinner Game,” about a monthly competition where the guest who impresses is the one who brings the biggest buffoon to the party. Rudd’s a financial analyst up for promotion; Carell’s a nerdy IRS agent (and amateur taxidermist) who might be his ticket to the top. Both work hard to bring some heart to the proceedings, but “The Dinner Game’s” sharp satire of pretension has become a draggy exercise in strained slapstick. (114 min.) PG-13; crude and sexual content, partial nudity, profanity. (C.C.)
(B-) In this handsome adaptation of a Chekhov novella set at a 19th-century Black Sea resort, a self-indulgent Russian bureaucrat (Andrew Scott) boozes, gambles, alienates his flirtatious married mistress (Fiona Glasscott) — and moves toward a deadly standoff with an arrogant scientist (Tobias Menzies). The script never quite captures the philosophical motivation for the title confrontation, but Georgian-born Israeli director Dover Koshashvili (“Late Marriage”) expertly captures the indolent, vaguely dissatisfied mood that remains a Chekhov hallmark. (95 min.) NR; sexual references, nudity, violence. (C.C.)
EAT PRAY LOVE
(C) When she discovers that she’s not as happily married as she thought, a writer (a decorative, if hardly deep, Julia Roberts) embarks on an international quest to find herself. Along the way, she finds a few others — including scene-stealers Javier Bardem and Richard Jenkins — in a slick adaptation of Elizabeth Gilbert’s best-selling memoir from writer-director Ryan Murphy (“Glee”). A picturesque but far from profound, this asks us to accompany a privileged protagonist who’s too wrapped up in herself to appreciate her blessings — or make us feel her pain. (133 min.) PG-13; brief profanity, sexual references, male rear nudity. (C.C.)
(D+) Mucho macho: Veteran tough guys Sylvester Stallone (who also co-writes and directs), Jason Statham, Jet Li, Mickey Rourke, Dolph Lundgren (alias Sly’s “Rocky IV” opponent Ivan Drago), Randy Couture and “Stone Cold” Steve Austin flex their muscles as mercenaries heading South American way on a mission to overthrow a corrupt general (David Zayas) and a rogue CIA agent (Eric Roberts). An exercise in nostalgia for a bygone era, “The Expendables” is willfully out of date, like an aged hair band that can’t pack away the spandex. (103 min.) R; strong action and bloody violence, profanity.
(B-) Director Rob Reiner returns to “Stand By Me” territory — but not, alas, “Stand By Me” standards — with this nostalgia wallow, cloaked in mid-century Americana, about an eighth-grade dreamboat (Callan McAuliffe) who develops unexpected feelings for the feisty neighbor (“Spy Next Door” charmer Madeline Carroll) he’s always considered a total pest. John Mahoney, Aidan Quinn and Anthony Edwards provide sterling support, but even they can’t do much about the movie’s saccharine, simplistic approach to life’s inevitable growing pains. (90 min.) PG; profanity, thematic material. (C.C.)
(B+) In 1930s Tennessee, a backwoods hermit (a perfectly cast, peak-form Robert Duvall) abruptly ends 40 years of seclusion to arrange a “living funeral” — so he can hear what folks have to say about him while he’s still around. Sissy Spacek, Bill Murray, Lucas Black and Bill Cobbs provide terrific support in this old-fashioned, fact-based comedy-drama, which builds considerable charm through its characters, performances and rich period feel. In all, a promising feature debut for cinematographer-turned-director Aaron Schneider, already an Oscar-winner for the live-action short “Two Soldiers.” (103 min.) PG-13; thematic material, brief violence. (C.C.)
THE GIRL WHO PLAYED WITH FIRE
(C) In the first of two sequels to the hit Swedish thriller “The Girl With the Dragon Tattoo,” based on Stieg Larsson’s best-selling trilogy, ace computer hacker Lisbeth Salander (the ferocious Noomi Rapace) is helping crusading journalist Mikael Blomqvist (Michael Nykvist) investigate a sex-trafficking ring — until she’s forced to go on the run after being accused of multiple murders. Uneven, repetitive and occasionally nonsensical, this feels like a hasty knockoff compared to its far-superior predecessor, but it still offers a fair dose of suspense and action for those who can stomach its brutal violence. In Swedish with English subtitles. (129 min.) R; brutal violence including rape, strong sexual content, nudity, profanity.
GOING THE DISTANCE
(C+) Going bicoastal: After a whirlwind summer romance, a wannabe journalist (self-deprecating charmer Drew Barrymore) from the West Coast and a New York-based music scout (puppy-dog earnest Justin Long) try to make a long-distance relationship work in a sporadically diverting romantic comedy that’s as all-over-the-place as its main characters. As contrived and lame-brained as other recent rom-coms, but at least this one’s about something recognizably real. (102 min.) R; sexual situations and references, profanity, drug use, brief nudity. (C.C.)
(D) High school pals reunite for a Fourth of July tribute to their late basketball coach in a shockingly inept comedy that’s essentially “The Big Chill” with jokes about flatulence and bunions. Considering that the friends are played by ex-“Saturday Night Live” teammates Adam Sandler (who co-scripted), Chris Rock, David Spade and Rob Schneider, plus Kevin James (Sandler’s “I Now Pronounce You Chuck and Larry” co-star), you’d think some of this would work, but it awkwardly mixes humor that’s rarely funny and heart that’s never touching. (102 min.) PG-13; crude material including suggestive references, profanity and partial nudity.
(B) Pretzel logic: “Dark Knight” writer-director Christopher Nolan’s intriguingly twisty sci-fi thriller focuses on a team of dream raiders, led by heartbreak-haunted Dom Cobb (Leonardo DiCaprio), who must test their expertise when they’re hired to plant an idea in the mind of a dying industrialist’s heir (Cillian Murphy). Slyly witty Joseph Gordon-Levitt, whip-smart Ellen Page and femme fatale Marion Cotillard provide invaluable support, but it’s Nolan’s mind-bending visions — from dazzling dreamscapes to knockout action sequences — that dominate this three-dimensional puzzle of a movie. (148 min.) PG-13; violence, action. (C.C.)
THE KIDS ARE ALL RIGHT
(A-) More than all right: Devoted L.A. parents (Annette Bening, Julianne Moore) find their placid home life shaken when their teenage kids (“Alice in Wonderland’s” Mia Wasikowska, “Bridge to Terabithia’s” Josh Hutcherson) track down their biological father (Mark Ruffalo), a footloose bachelor restaurateur who’s shocked, yet delighted, to discover he’s an instant father. Writer-director Lisa Cholodenko (“Laurel Canyon”) performs a deft balancing act, addressing serious themes with sprightly wit in a terrifically acted movie that’s both insightful and delightful. (104 min.) R; strong sexual content, nudity, profanity, teen drug and alcohol use. (C.C.)
THE LAST AIRBENDER
(D) Joyless, soulless and hopeless, this live-action adaptation of the hit Nickelodeon cartoon series focuses on Aang (Noah Ringer), who has the power to control water, fire, air and earth — and restore peace to his war-torn world. Writer-director M. Night Shyamalan (“The Sixth Sense”) helms his first adaptation; it has epic scope and soaring ambitions, exotic locations and a cast of thousands (including “Slumdog Millionaire’s” Dev Patel, “The Twilight Saga’s” Jackson Rathbone, Cliff Curtis and Nicola Peltz), but it manages to get everything wrong. (103 min.) PG; fantasy action violence.
THE LAST EXORCISM
(B) An evangelical preacher (Patrick Fabian) who’s been performing exorcisms for 25 years, knowing all the while that they’re a sham, agrees to let a camera crew expose his tricks as he “performs” one last exorcism on a rural teen (Ashley Bell, extraordinary) — until his final close encounter with demonic possession turns terrifyingly real. This faux documentary is one of the scariest movies to come along in awhile, until it falls apart in its last five minutes. (87 min.) PG-13; disturbing violent content and terror, sexual references, thematic material.
(C-) A bookish teen (Devon Traye) joins his school’s wrestling team as a way to reunite his surviving family members — including his guilt-stricken big brother (WWE champ John Cena, all presence and no acting), who feels responsible for the death of his father. Patricia Clarkson (way too good for this movie) and Danny Glover co-star in a by-the-numbers sports drama with a death grip on clichés and acting every bit as flat as the mat. (107 min.) PG-13; suggestive material, brief partial nudity, fighting scenes.
(C) A recent high school grad (all-grown-up Bow Wow), dreaming of creating his own shoe line but still working at Foot Locker, tries to keep a secret from his nosy neighbors: he’s holding a lottery ticket that entitles him to a $370-million jackpot. The feature debut from longtime music video director Erik White, this starts out amiably enough but eventually develops a weirdly violent streak. At the ensemble cast (Ice Cube, Keith David, Loretta Devine, Naturi Naughton, Brandon T. Jackson and Mike Epps) keeps things sporadically enjoyable. (99 min.) PG-13; sexual content, profanity, drug references, violence, brief underage drinking.
(C+) In the first movie (so far) spawned by those hilarious “Grindhouse” trailers, Danny Trejo plays the Texas-based title character, a former Mexican cop on a vengeful rampage against drug dealers, brutal politicians and other assorted baddies. Co-directors Robert Rodriguez and Ethan Maniquis (who edited “Planet Terror,” Rodriguez’s half of “Grindhouse”) maintain a fair amount of the wicked humor and every bit of the savage bloodshed promised in the make-believe trailer, but (like most of Rodriguez’s’ movies), this one’s never as fun — or funny — as he thinks it is. (105 min.) R; strong bloody violence, profanity, sexual content, nudity.
NANNY MCPHEE RETURNS
(C+) The magical title nanny (Emma Thompson, who also scripted) returns to rescue harried mom Maggie Gyllenhaal, trying to run the family farm while her husband (Ewan McGregor) is off fighting in World War II. Rhys Ifans (as a scoundrelly brother-in-law), Maggie Smith (as a ditzy shopkeeper) and Ralph Fiennes co-star in this sequel to the family-friendly 2005 fantasy, which obviously owes much to P.L. Travers’ Mary Poppins displays a warm naturalism and an old-fashioned cheerfulness uncommon to most of today’s kids movies. (109 min.) PG; rude humor, profanity, mild thematic elements.
THE OTHER GUYS
(B-) Will Ferrell and Mark Wahlberg make an amusingly arresting team as mismatched New York City detectives — one a by-the-book desk jockey, the other a street guy itching for action — who labor in the shadow of flashy supercop colleagues (Samuel L. Jackson, Dwayne Johnson) until they stumble onto Wall Street chicanery. Not the bust-a-gut buddy-cop spoof it wants to be — it careens between action and comedy too much for that — but even when spinning its wheels, its intermittent goofiness makes it easy enough to go along for the ride. (107 min.) PG-13; crude and sexual content, profanity, violence, drug material. (C.C.)
(B+) When an underwater tremor frees the title prehistoric man-eaters during spring break, tourists and residents alike try to keep themselves from becoming fish food in this killer chiller filmed at Arizona’s Lake Havasu by “Hills Have Eyes” director Alexandre Aja. Cleverly knowing without collapsing into parody, this makes great use of its extremely random cast, which includes Elisabeth Shue as a bad-ass sheriff, Ving Rhames as her deputy, Jerry O’Connell as a “Girls Gone Wild”-style sleaze peddler and crazed Christopher Lloyd as the resident fish expert — plus Richard Dreyfuss, who makes a very cute cameo off the top. In short, a complete blast. (89 min.) R; strong bloody horror violence and gore, graphic nudity, sexual content, profanity, drug use.
(D+) If you’re keeping score, this is the third “Predator” (not counting two “Predator” vs. “Aliens” spinoffs), but it’s hardly an improvement, as warriors (led by Adrien Brody) try to evade the ravenous beasties trying to put the bite on them. The “most dangerous game” thrill is so much the center of the “Predator” series that there’s almost nothing else to it; why bother with silly things like plausibility when your trademark climax is your star covering himself in mud? (106 min.) R; pervasive profanity, gore, strong creature violence.
RAMONA AND BEEZUS
(D+) Beverly Cleary’s beloved books about the misadventures of grade schooler Ramona Quimby inspire this uninspired adaptation featuring Joey King and Selena Gomez, respectively, in the title roles. Little kids and tweens won’t miss things like plot and narrative drive, especially with director Elizabeth Allen (“Aquamarine”) playing up the antics for maximum wackiness. But this feels more like a series of individual episodes — both madcap and heartrending — than a cohesive story with any real drive. (104 min.) G; all ages.
RESIDENT EVIL: AFTERLIFE
(D) With the world ravaged by a viral infection that transforms its victims into the Undead, Alice (Milla Jovovich, more decently clothed this time around) continues her quest to find survivors and lead them to safety — and her battle with the Umbrella Corp. Ali Larter, Kim Coates, Shawn Roberts, Boris Kodjoe, Wentworth Miller co-star for director Paul W.S. Anderson (Jovovich’s husband), a serious contender for worst filmmaker in the biz, in the fourth installment of the “Resident Evil” franchise — the first to go 3-D. Which, alas, doesn’t help improve this witless workout full of morphing zombies, phoned-in performances and trite dialogue. (90 min.) R; strong violence, profanity.
(C+) Who is Salt? Who cares? When a defector accuses her of being a Russian spy, CIA agent Evelyn Salt (Angelina Jolie, in a role originally written for Tom Cruise) goes on the run. This hyperkinetic thriller shows off Jolie’s action chops — and those of director Philip Noyce (“Clear and Present Danger”), who delivers a muscular, gritty and propulsive action tale that’s also utterly ludicrous and lacking the slighted shred of humanity. As a result, “Salt” makes the supposedly engrossing ridiculously predictable, stranding such stalwart actors as Liev Schreiber and Chiwetel Ejiofor in the process. (100 min.) PG-13; intense sequences of violence and action. (C.C.)
SCOTT PILGRIM VS. THE WORLD
(C) A 20-something Toronto slacker (callow Michael Cera, in desperate need of a new gig) who plays bass for a struggling rock band falls for an intriguing Amazon delivery girl (Mary Elizabeth Winstead) — and must battle her seven evil exes to win her — in a movie that plays like a video game, complete with vibrantly wacky visuals and rocket-powered pacing. Too bad this self-proclaimed “epic of epic epicness” seems so entranced by its own style that it doesn’t notice, or care, the missing character development and a storyline that does nothing other than reset and repeat ad nauseam. (112 min.) PG-13; stylized violence, sexual content, profanity, drug references. (C.C.)
THE SORCERER’S APPRENTICE
(C+) No “Treasure”: Nicolas Cage reteams with “National Treasure” director Jon Turteltaub (and uber-producer Jerry Bruckheimer) for a live-action adventure inspired by the animated “Fantasia” sequence featuring Mickey Mouse in the title role. This time around, the apprentice is everyday guy Jay Baruchel (the voice of “How to Train Your Dragon’s” Hiccup), who’s recruited by sorcerer Balthazar Blake (Cage) to assist him in his battle against dapper nemesis Maxim Horvath (Alfred Molina,”Spider-Man 2’s” Doc Ock). Doesn’t exactly conjure bedazzling magic, but it’s a pleasant-enough mix of effects, action and comedy that should send parents and kids home happy. (121 min.) PG; violence, frightening scenes.
STEP UP 3D
(C-) A tight-knit group of street dancers team up with an NYU freshman to take on top hip-hoppers in a 3-D dance fable featuring newcomers Rick Malambri and Sharni Vinson alongside “Step Up’s” Alyson Stoner and “Step Up 2 the Streets’ ” Adam G. Sevani. There are several dull romances, a little parental melodrama, the threat of eviction and a Sharks-vs.-Jets rivalry that is even dopier than “West Side Story” because “Step Up 3-D” is supposedly set in the real-ish world. The dance sequences are thrilling, but the script is strictly 1-D; every scene in which anyone isn’t dancing is a complete waste of time. (107 min.) PG-13; brief profanity.
(C) A 40-something TV executive (Jennifer Aniston), determined to undergo artificial insemination, never realizes that her best friend (scene-stealing Jason Bateman) has replaced her sperm donor’s contribution with his own, triggering inevitable comic complications in a romantic comedy that’s bright, breezy and utterly predictable. There are worse things than watching attractive people tie themselves into knots as they attempt to unravel their overly complicated lives, but there are lots better things too. Just don’t expect to see them here. (100 min.) PG-13; mature thematic content, sexual material including dialogue, nudity, drug use, profanity. (C.C.)
(C) Lifestyles of the rich and lawless: When smooth criminals (Idris Elba, Hayden Christensen, Paul Walker, Michael Ealy and Chris Brown) pull off a Los Angeles bank heist, a dogged detective (Matt Dillon) gives chase in a movie that recycles the usual cops-and-robbers claptrap to little effect. In great heist movies, the characters are as complex as the caper; in good heist movies, it’s usually one out of two. But “Takers” goes 0-for-2, emerging as a routine workout that’s not exactly redeemed by its attractive cast or rock-’em, sock-’em action sequences. (107 min.) PG-13; intense violence and action, sexual situations, partial nudity, profanity, drug references. (C.C.)
TOY STORY 3
(A) The wonderful folks from Pixar ride to the rescue of a bummer movie summer with this more-than-equal second sequel, a delightful kids-of-all-ages animated adventure in which Andy heads off to college and his beloved toys — led by cowboy Woody and space ranger Buzz — find a new life at a deceptively sunny day-care center. Voiced by all-star returnees Tom Hanks, Tim Allen and Joan Cusack (among others), plus such standout newcomers as Ned Beatty, Michael Keaton and Timothy Dalton, these cartoon characters have vastly more humor, personality, heart — and substance — than most of their live-action counterparts. (103 min.) G; all ages. (C.C.)
THE TWILIGHT SAGA: ECLIPSE
(C) With a new director (“30 Days of Night’s” David Slade) at the helm of the third chapter of Stephenie Meyer’s teen vampire franchise, plus a stronger story, “Eclipse” manages to do what its two dreadfully dumb predecessors could not: It almost makes believers out of those of us who don’t much care whether Kristen Stewart’s moon-eyed teen Bella Swan chooses vampire stud Edward Cullen (Robert Pattinson) or werewolf hunk Jacob Black (Taylor Lautner). Trouble is, “Eclipse” is still pretty dumb — not that this franchise’s legions of fans will care. (124 min.) PG-13; intense action and violence, sexual references.
(D) What’s in a name? An all-too-accurate description of the movie when it’s “Vampires Suck,” a scene-by-scene vamp of the Stephenie Meyer “Twilight” movies — with the odd “True Blood,” “Buffy the Vampire Slayer,” “Gossip Girl,” Kardashian and Lady Gaga gag tossed in — from the folks who brought you “Disaster Movie,” “Date Movie,” “Meet the Spartans” and a lot of other lame parodies. Even by the standards of these things, which rely on an onslaught of jokey references to float, “Suck” s(t)inks. (88 min.) R; crude sexual content, comic violence, profanity, teen partying.
(B+) To save her impoverished family’s home, a flinty Ozark mountain teen (the eloquently reserved Jennifer Lawrence) goes in search of her missing father, a modern-day moonshiner who cooks meth instead of whiskey. Writer-director Debra Granik’s spare, close-to-the-bone drama, a double award-winner at this year’s Sundance film festival, is sometimes heavy going for those of us in the audience as well as its determined heroine, but watching her persevere in the face of seemingly insurmountable odds — and somehow maintain her integrity — provides a quiet kind of uplift. (100 min.) R; violence, drug use, profanity. (C.C.)