The Strokes come indoors

The Strokes have become a festival band, for the most part, seldom playing gigs indoors and on their own.

As they focus mainly on performing in wide-open spaces, though, their sound increasingly seems tailored for smaller, more intimate rooms.

The Strokes’ latest record, “Comedown Machine,” whose title says it all, is a searching, introspective album where keyboards bubble up and recede, guitars dart here and there and frontman Julian Casablancas frequently sings in a vulnerable-sounding falsetto.

The band kicks up plenty of dust with “50/50,” a terse 2 minutes and 40 seconds where Casablancas bellows the chorus, sounding as if his voice was a candle that he was trying to blow out.

“I will say don’t judge me!” he howls.

No judgment necessary, these dudes still got it.

Contact reporter Jason Bracelin at or 702-383-0476. Follow on Twitter @JasonBracelin.


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