For its 16th edition, which starts Thursday, the festival is adding Monday screenings to better showcase the winning films.
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From the Neil Armstrong biopic “First Man” to “Amazon Women on the Moon,” some of these are more helpful than others.
“The Predator,” the sequel/reboot opening Friday, shouldn’t be mistaken for 1987’s “Predator” or 2010’s “Predators,” which, unlike the “Alien”/“Aliens” combo, wasn’t a direct sequel. That would have been 1990’s “Predator 2.”
If “Star Wars: The Force Awakens” was considered a “requel” — part remake, part sequel — of “A New Hope,” think of “Star Wars: The Last Jedi” as “The First Order Strikes Back.”
“Wonder Woman” has been one of the biggest and best surprises of the moviegoing year.
“That’s probably a movie first, maybe,” writer-director Damien Chazelle said with a laugh while discussing the film’s connection to the small Southern Nevada town, specifically its library.
There’s a boy named Pete. He has a dragon. And that’s pretty much where the similarities between this weekend’s “Pete’s Dragon” andthe 1977 original begin and end.
“You know, I once made love on a pool table in Hot Coffee, Mississippi, with six members of the Rock and Roll Hall of Fame.”
It’s spring break season, which means that, for the next couple of weeks, the Strip will be crawling — and stumbling and staggering — with tens of thousands more drunk college students than usual.
“Jurassic World” combines enough nostalgia, technical wizardry and nonsensically thrilling moments to make fans of the original feel like kids again. Although those kids probably shouldn’t be seeing “Jurassic World” in the first place, because, nightmares.