“Bridesmaids” is not authorized, and is proud not to be, at The Venue at The Orleans.
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Christmas is coming early, and confusingly, for moviegoers this year with films opening on Wednesday, Friday and Sunday.
It’s a moving, troubling look at one man’s existential crisis, the powerful grip of loneliness and the mundanity and despair of everyday life. But “Anomalisa” probably will be remembered, at least by the few of you who’ll see it, for one thing: puppet sex.
Apparently, every ounce of innocent, sweet-natured joy that made 2011’s “The Muppets” such a whimsical burst of nostalgia can be traced back to one person. Surprisingly, it’s the guy who showed the world his dangly bits in “Forgetting Sarah Marshall.”
The Kevin Costner action movie feels like something Liam Neeson was too busy to make. Given the month’s incredibly low standards, though, it’s everything a February movie should be.
The story of Cecil Gaines, a White House butler spanning seven administrations, is ever-so-loosely based on the life of the late Eugene Allen. But the result is too reverent to feel like fiction, too improbable to feel like the truth.