Henderson’s Michael Damian says he’s happy working behind the scenes with wife Janeen on projects including the new movie “High Strung Free Dance,” in theaters next weekend.
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The final day of CinemaCon at Caesars Palace came with a familiar tinge as Arnold Schwarzenegger and others promoted films with titles harking back to previous blockbusters.
I’ ve never been much of a Lady Gaga fan. She’s crazy talented, but all that theatricality can be a bit … much.
Of the 10 highest-grossing films of 2017, six were superhero movies, one was another “Star Wars” and one was a live-action remake of a Disney animated tale.
The only downside to crafting one of the most wildly original, insanely clever, out-of-nowhere crowd-pleasers of the past few decades? Eventually, you have to try to top yourself.
To borrow from Justin Timberlake’s summer anthem, “Can’t Stop the Feeling,” you should look at the animated “Trolls” as an excuse to just dance, dance, dance. Because there’s certainly not much in the way of plot, plot, plot.
Well, whaddya know? You really can stuff too many superheroes into a 2½-hour movie, make them fight each other, throw in some mommy issues and, despite a muddled plot, actually leave audiences thrilled and hungry for more.
“Olympus Has Fallen” wasn’t exactly crying out for a sequel. With that in mind, here’s a look at 10 of the most inexplicable, spectacularly misguided or just plain random sequels ever to come out of Hollywood.
I know, I know. It’s difficult to think about a whole new year full of movies when you’re still so wrapped up in “Star Wars.”
As a movie, “Diamonds Are Forever” is mediocre at best. Based on critics’ scores, Rotten Tomatoes ranks it as the 16th best of the 23 official James Bond movies leading up to Friday’s release of “SPECTRE.” (“Dr. No” finished first, “A View to a Kill” last.)