Olivia Newton-John once said of Vegas, “I was the opening act for a long time. I bounced around to different hotels,” before she opened at the Flamingo in April 2014.
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The stage adaptation of the 1963 comedy classic was the last project Jerry Lewis ever directed, in partnership with legendary composer Marvin Hamlisch.
Of the nine movies up for the top prize at Sunday’s awards, only “Parasite” and “Marriage Story” are contemporary tales.
For its 19th edition, scheduled for Thursday through Jan. 26, the festival is reaching farther outside the tent than ever before.
Not only is “Fifty Shades Freed” expected to spank the competition at this weekend’s box office, it will tie up the loose ends on an era of moviemaking.
I’m not certain if “Fifty Shades Freed” is marginally better than its predecessors, or if I’ve just grown accustomed to the awfulness of these movies.
The Dark Universe. The name doesn’t exactly capture the imagination, does it?
Found-footage movies have been a staple of horror cinema for years. But this psychological thriller feels like the start of a new genre: the lost-footage movie.
If Animal Planet were in the original movie business, “Megan Leavey” would be a perfect fit.
“Manchester by the Sea,” “Nocturnal Animals” and “Miss Sloane” count no fewer than seven potential acting Oscar nominations among them