Of the more than 50 pilot episodes commissioned for the 2020-21 season, just one was completed before Hollywood sent everyone home.
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Of the nine movies up for the top prize at Sunday’s awards, only “Parasite” and “Marriage Story” are contemporary tales.
For its 19th edition, scheduled for Thursday through Jan. 26, the festival is reaching farther outside the tent than ever before.
It’s the year’s most-watched new series in England aside from the thriller “Bodyguard,” but it won’t be joining that pop-culture sensation on Netflix.
During the 1960s, as turbulent a decade as our nation has seen, enough Americans were able to set aside some of their differences to put a man on the moon.
Not only is “Fifty Shades Freed” expected to spank the competition at this weekend’s box office, it will tie up the loose ends on an era of moviemaking.
I’m not certain if “Fifty Shades Freed” is marginally better than its predecessors, or if I’ve just grown accustomed to the awfulness of these movies.
Some of TV’s biggest phenomena — “American Idol,” “Survivor,” “Dancing with the Stars,” “Who Wants to Be a Millionaire?” — all started in the summer.
The Dark Universe. The name doesn’t exactly capture the imagination, does it?
Found-footage movies have been a staple of horror cinema for years. But this psychological thriller feels like the start of a new genre: the lost-footage movie.