Why are we opening a fancy new arena in April, our fifth, and yet Las Vegas still seems to be missing out on some of the biggest names hitting the road for spring and summer concert tours?
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Rich Little seems a little shy about his new autobiographical showcase at the Tropicana, even though its the smartest thing he’s done in years.
A ‘Baz’ tribute setting up shop in a nightclub while a cappella Mo5aic picks a ‘Perfect’ time to return to the Strip.
Terry Fator stresses the variety show elements of his Mirage production make him different from fellow ventriloquist Jeff Dunham, who favors a more racy approach. Dunham is setting up at Planet Hollywood for a resident run.
For a title that closed in September, “Peepshow” still casts a long shadow. Talk of the striptease-themed revue reopening at The Quad seems to have died down for now, but this week is seeing plenty of alumni activity.
Is it too late for anything but the life boats? Or can the “reimagined” “Jubilee” still steer around that iceberg that makes the nightly sinking of the Titanic an apt metaphor for the new version of the Strip’s 33-year-old crown jewel, officially unveiled Saturday.
Holly Madison says it’s time for Vegas to think small. Madison, who starred in “Peepshow,” sees those empty seats for most ticketed shows are a sign of something else missing in the bigger entertainment picture. So she’s opening a new club, 1923 Bourbon & Burlesque, that will offer burlesque acts but not a traditionally ticketed show.
So what did they say when the Titanic set sail? “See you in a few weeks?” The Titanic we all know on the Strip sinks one more time, the last voyage for the version of Bally’s “Jubilee!” we all grew up on.
New entertainment complex plans to be more club, less concert hall in its bookings.
“Any song in the world,” Bruno Mars challenged the audience to yell up on his opening night in the new Chelsea theater at The Cosmopolitan of Las Vegas. “I just want to play around. Any song in the world …”