After a wave of show closings, new strategies emerge for marketing to millennials and last-minute buyers.
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As a child star, Brenda Lee had a head start on a rare milestone: 60 years of Las Vegas performing. It’s a feat worth celebrating, as long as more performers don’t overstay their welcome.
Now that The Smith Center for the Performing Arts hosts most of the original-song, story-driven Broadway tuners, it makes sense that the casinos still have three jukebox musicals that reach beyond fans of traditional musical theater.
Maybe on Jan. 17, 2084, there will be some Las Vegas celebration of Calvin Harris’ 100th birthday. It’s just hard to say, isn’t it?
Some people just don’t give up on Las Vegas entertainment, or trying to close the gap between what is and what should be on the Strip.
When “Caveman” reopens on March 19 at The D, it won’t be alone among cabaret/sketch-comedy/mini-musical/off-Broadway shows we’re not quite sure what to call without using a lot of these / things.
Say what you will about the show that comes after it. But you can’t deny Murray has one of the most impressive pre-show videos on the Strip.
Interactive show hoped to be up and running in time to tap into wedding market created by lift of same-sex marriage ban.
Watching the rehearsal in front of him, show producer Adam Steck declares, “You gotta have an Aboriginal routine in an Australian show.”
The Riviera’s had a lot of second chances lately, and now you can say it’s true of the shows moving in. In the latest burst of new momentum, the vintage hotel has turned most of its entertainment over to a startup called Red Mercury Entertainment. The producers have installed four new titles with more to come. “New” is relative, though, since the three we are talking about here (saving “Men the Experience” for another day) are new twists on older efforts.