If you were holding off on seeing Danny Gans until he moved across the street to Encore, good call.
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Las Vegas may never shed its reputation as a guy’s party town where women are commodified — but well-paid — dancin’ dolls in cabaret shows, strip clubs and nightclubs.
In 1983, believe it or not, Elvis wasn’t everywhere in Las Vegas. But for 26 years, there has been one sure and steady place to find him: the glory-glory-hallelujah, flag-waving finale of "Legends in Concert."
When it gets tougher to sell a show ticket during an economic nose dive, what are two sure-fire genres that still pack ’em in?
“Bite” replaced its lord vampire, but the former one will “Ignite” the Greek Isles with a new revue.
The billboards promise Terry Fator and "His Cast of Thousands." That’s cheeky Vegas hyperbole, but there is no doubt that without his puppets — maybe not thousands, but easily a dozen — Fator never would have drawn the "America’s Got Talent" attention that led to fame and fortune on the Strip.
Scott Weston was as surprised as anyone when “An Evening at La Cage” abruptly closed on Monday night.
Michael Holly has been doing his Internet research on Branson, Mo. “I hear that’s nice,” he says.