Hundreds of tourists daily arrive by bus, car and aircraft at Grand Canyon West, a portion of the famous chasm cut more than a mile through northern Arizona by the Colorado River.
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From June 20 through June 22, the Electric Daisy Carnival will once gain envelop the grounds of the Las Vegas Motor Speedway in a halo of light, sound and whimsically costumed concertgoers.
Unless you’ve spent the past few weeks under a rock — assuming that rock lacked access to Wi-Fi, cellular data and over-the-air TV and radio transmissions, as well as run-of-the-mill chatterboxes — you’re now painfully aware that Friday marks the 50th anniversary of the Kennedy assassination.
Peter DeAnda’s play “Ladies in Waiting,” written in 1968, could be an inspired treatise on prison overcrowding, segregation, deplorable conditions of prison life, and how incarceration changes a person. With permission, or done by the playwright (in attendance opening night), the script has been restructured for this joint effort by the Off Strip and TwoCan production companies. It could remain relevant today in all aspects except for the forced segregation. But, under the direction of Audrei-Kairen, it doesn’t.
“Of Mice and Men,” John Steinbeck’s tragic 1937 tale about the illusory nature of the American Dream, is classic because its idea of the fragility of human existence remains a universal truth which repeats itself time and again. Las Vegas Academy Theatre gives the play an atmospheric presentation which is as good, if not better, than any professional company could provide.
Open with Leonard Bernstein’s “Candide” Overture. Close two hours later with John Philip Sousa’s “Stars and Stripes Forever” (a Boston Pops tradition). Fill the time in between with such offerings as the Largo from Dvorak’s “New World Symphony,” Gershwin’s “Rhapsody in Blue,” Abba’s “Dancing Queen,” Harold Arlen’s “Somewhere Over the Rainbow” and others equally as diverse.