He stretches the word out, elongating the longing.
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In the towering achievement of cinematic Velveeta that was 1984’s “Rhinestone,” Dolly Parton taught a gruff New York City cabdriver, played by a plywood-stiff Sylvester Stallone, how to be a bona fide country singer.
Tommy Emmanuel is an instinctive performer, his repertoire untutored and emotive, a product of intuition, not training.
Bust out your party hat and noisemakers for Squidhat Records’ Second Anniversary Showcase Weekend.
Jay Mohr is the best impressionist not to make a big deal out of being one. Especially in Las Vegas, where even bad ones do.
Carlos Santana says that no matter how often he plays Las Vegas, he’s “staying here for keeps” as a Nevada resident.
They give you a lot of napkins when you sit down at Fat Choy. They know you’re going to need them. That’s especially true if you try the restaurant’s signature “snacks.”
A sober-looking Justin Bieber was released from jail Thursday following his arrest on charges of driving under the influence, driving with an expired license and resisting arrest.
Producers softened many of the drama’s rougher edges. But there are still plenty of ways to tell Keegan Deane is someone you wouldn’t want to have anything to do with in the real world.
The world premiere of William Shakespeare’s “The Tempest” — co-adapted and directed by Las Vegas’ own Teller — will sail on a week longer than planned at The Smith Center for the Performing Arts. It will play April 6-20 in a 500-seat, climate-controlled tent in the center’s Symphony Park.