Few artists conjure the pure riot of sound that Maya Arulpragasam, a human blasting machine, does upon taking the stage.
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Johnny Mathis gave up a shot at the Olympics to make his first recording. Almost 60 years later, he’s still singing — and returns to Las Vegas to make his Smith Center debut.
When five-time Ultimate Fighting Championship champion Randy Couture asks you for money, you should seriously consider giving him some.
There are 10 million paying subscribers to the streaming music service Spotify, but for the many people who use it there’s a catch: the knowledge that the artists whose music is available receive little payment from having their songs played.
Think of it as a sort of open-air blues club where fresh air replaces the cloud of cigarette smoke, your beverage choices are classy craft brews instead of mass-produced domestics, and your fellow concertgoers may include actual wildlife watching from off in the distance and not just wild-eyed guys burping on the next bar stool.
Jane Monheit uses her voice to do more than sing: she swings, she glides, she can be saucy, tell a story, be funny, be breathlessly sensual, even reduce her audience to tears. She did all of this and more in her 90-minute show Friday at Cabaret Jazz.
Apple is striking a new chord with a $3 billion acquisition of Beats Electronics, a headphone and music streaming specialist that also brings the swagger of rapper Dr. Dre and recording impresario Jimmy Iovine.
Superstar DJ-producers on EDC lineup include Calvin Harris, Tiesto, Kaskade, Avicii, Afrojack and many more.
Punk Rock Bowling defies the sound barrier, the passage of time and the withering heat of the asphalt-covered festival grounds downtown. For punk, time has passed, things have changed, but plenty has remained constant.