The new “The World’s Greatest Rock Show” at the Stratosphere shares songs with the relocated “Raiding the Rock Vault” at the Hard Rock Hotel, but the two read differently.
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John Di Domenico lives in Las Vegas but found trade shows and corporate bookings more lucrative than trying to sell tickets on the Strip.
The Tropicana’s new show wants to be more than a sassy dance revue, but its theatrical, musical elements don’t hold their own.
As the casino celebrates its 50th anniversary, its bygone showroom and current theater are perfect symbols of old and new Vegas.
If you’re not tuned in to the annual tradition that is Tony Sacca’s “Merry Christmas Las Vegas” TV special, you’re either new to town or unskilled in the art of deep-cable channel exploration. Longtimers know Sacca for … well, something. Years of local TV shows and commercials add up.
Interactive comedy has its own charms even when it’s disappointingly similar to “Tony n’ Tina.”
Australian Bee Gees is now a more diverse show, remembering the pop trio beyond disco.
The billboards make them look like magic’s version of “The Avengers.” And they fight their way out of a basement like superheroes, too.
“It has become clear that additional work is needed to deliver the unforgettable experience our customers have come to expect from us.”
Of course, Cirque du Soleil wants you to see all of its Las Vegas shows. Knock yourself out, I’m sure they would say.