They’re so old school, even the signs for Clint Holmes and Frankie Moreno inside the Golden Nugget seem like holdovers from another Las Vegas: “Dinner and a show, $35.”
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Retro-hepcat Vegas meets hard-punching jazz chops in the classic rockers’ nine-show run at The Venetian.
Magic duo Jarrett & Raja and “Spy Escape” master Jason Hanson both brought showbiz flair to business pitches.
‘Puppet Up!’ and ‘Spoofical’ had different reasons for closing, but neither answer the question of why so many shows are closing, and what people want to see on the Strip.
No one gets rich, but “Country Superstars” and “Evil Dead” musical find fans and brand recognition in the shadow of the big shows.
The circumstantial evidence doesn’t speak well of the creative enterprise of Las Vegas entertainment.
Pitbull’s show turns out to be a perfect fit for the remodeled Axis and the club-generation visitors it targets with its standing-room general-admission areas up front.
Frank Leone never thought he’d have two 30-piece orchestras on the Strip again.
The Sin City Comedy Club may be the launch pad for Eric Jordan Young’s self-produced showcase “Shakin’,” but it’s clearly not the endgame. Young isn’t a cabaret singer scaling down to his environment, but a musical theater veteran with a voice to match his outsized stage presence.
“Georgia On My Mind” brings seasoned pros together in the name of Ray, and of old-Vegas showmanship on the Strip.