Despite predictably solid performances from Robert Downey Jr. and Robert Duvall, their movie just sort of lays there for a taxing 141 minutes, unsure of what it wants to be.
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The Regal Downtown Summerlin 5 is the moviegoing experience Las Vegas has spent the past couple of years baby-stepping toward.
In the hands of novelist/screenwriter Gillian Flynn and director David Fincher, “Gone Girl’ is so full of first-rate shockers the fact that its oft-maligned co-star Tyler Perry is actually quite good barely cracks the top five.
For one of the most head-scratching choices for a TV adaptation in recent memory — Honestly, what’s next? Vin Diesel in a gritty reboot of “The Father Dowling Mysteries”? — “The Equalizer” is immensely appealing and so much more entertaining than you’d expect.
Movie has assembled one of the most likable casts in recent memory. But it’s awfully easy to get distracted as actor after actor from some of the past decade’s buzziest TV shows turns up in thinly drawn roles.
“The Drop” is a small, slow-burning character study stuffed with fully realized, lived-in characters.
Here’s a look at this week’s new movies, “The Drop,” “Dolphin Tale 2,” “No Good Deed,” “Atlas Shrugged: Who Is John Galt?,” and “Something Wicked”:
With their kids back in school, grown-ups can come out and play with new releases starring Matthew McConaughey, Brad Pitt, Robert Downey Jr., Ben Affleck and Bill Murray.
There’s not much in “The November Man” that you haven’t seen before, usually done better somewhere else. Compared to the franchises it seems to be striving for, as Bond it’s bland, and as Bourne it’s a bore.
Here’s a look at the new movies “The November Man,” “As Above/So Below,” “Land Ho!,” “Saints and Soldiers: The Void” and “Cantinflas”: