We’re in the middle of a renaissance of sorts when it comes to high-profile movies and TV shows with strong ties to Las Vegas.
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There are simply too many ideas in this unnecessary sequel, none of which is really explored, for any of them to resonate.
You know the feeling when you leave a great movie and you can’t stop thinking about that one outstanding scene? At least half of “Baby Driver” is made up of those scenes, woven together by one of the finest soundtracks ever assembled.
Well, Robert, here’s a rule I try to live by: When it comes to Jason Statham movies, unless they have the words “Fast,” “Furious” or “Transporter” in the title, you can almost always save your $9 and wait for them to show up on cable.
Day three of the annual convention of the National Association of Theater Owners served as a celebration of girl power.
Nobody does Las Vegas the way Mark Wahlberg does Las Vegas.
Film Church is a humorous recap of the previous 10 days led on Sunday by festival director John Cooper and director of programming Trevor Groth.
The title of the grand jury prize winner for U.S. drama perfectly summed up the emotions at the 2017 Sundance Film Festival Awards: “I don’t feel at home in this world anymore.”
In 1994, “Reality Bites” caused a stir at Sundance. In 2017, it’s virtual reality.
Big movies aren’t always good movies. Heck, they rarely are. But they sure are easy to get excited about.