Carrie Underwood’s appeal is similar to that of an old Western or a Saturday morning superhero cartoon: In her full-throated repertoire, justice always get served, the bad guy gets his and good mostly triumphs in triumphant-sounding songs.
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Upon the death of Fidel Castro, UNLV history professor Michael Green notes the Cuban dictator’s unintentional, incidental contribution to Las Vegas’ economy over the years.
Visitors to Las Vegas City Hall in the past few months have been greeted with huge paper flags that are laden withsymbolism.
Florence Henderson performed at several famed Strip resorts, saying her favorite was Circus Maximus at Caesars Palace.
Passers-by on the corner of Maryland Parkway and Russell Road could be forgiven for starting and having a few questions on the morning of Oct. 20 as a 26-foot-tall abstract shape wrapped in white cloth was lifted into the air by a huge crane.
A political dispute has stripped next year’s Burlesque Hall of Fame festival of its greatest living legend.
Ryan Schmitt is a familiar face in downtown Las Vegas and on the Strip, an artist who turns balloons into all sorts of everyday objects, such as hats and bicycles.
Autumn de Forest’s signature includes a heart hovering over the second “U” of her first name. Considering that she turned 15 a few weeks ago, that’s not much of a surprise.
As a kid, Justin Favela hated pinatas. “I was a very calm, quiet kid who didn’t want any conflict,” he says.
Art lovers in the tiny town of Baker are lashing out at the Nevada Department of Transportation for hauling away sculptures from a roadside exhibit launched by the locals almost two decades ago. An NDOT crew cleared out much of the metal artwork from state Route 488 on Nov. 1, citing safety concerns along the five-mile route between Baker and the Lehman Caves Visitor Center at Great Basin National Park.