Contradictory show closings can drive a columnist to argue with himself.
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Early buzz on Broadway’s “A Bronx Tale” suggests Strip potential, while a local producer is bullish on “Tony n’ Tina’s Wedding” after its Chicago return. Also, where are the ACMs?
The quartet of young magicians prove there is strength in numbers with teamwork that counters Vegas rivalries.
The venues, and people in charge of them, should share the blame for a spate of recent show closings.
Richard Oberacker’s “Bandstand” will debut in New York in April, after song previews and table readings in Las Vegas.
The slapstick, dirty send-up of ‘Romeo and Juliet’ brings fringe theater to the heart of the tourist zone but needs to stay in control.
Las Vegas has long been searching for another custom of entertainment as nightclubs drain the audiences for traditional sit-and-watch shows. “Immersive” or “interactive” have become buzzwords for attempts to make show-going more fun.
The droll British comedy magician has expanded his thrice-weekly Flamingo show into a bit of a “Pee-wee’s Playhouse” format with plenty of distractions.
Playing casinos for more than 20 years shows in the group’s current five-night stand, which only occasionally seems to appreciate its longevity.
The superstar used the resident entertainer’s model to reach a number that it will take other concert stars years to match.