The clunkily scripted film plays like a public service announcement reminding moviegoers that Elliott is an underappreciated Hollywood institution.
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Of all the movies flooding the multiplexes this summer, none will ruffle your petticoat quite like writer-director Sofia Coppola’s atmospheric thriller “The Beguiled.”
There are simply too many ideas in this unnecessary sequel, none of which is really explored, for any of them to resonate.
You know the feeling when you leave a great movie and you can’t stop thinking about that one outstanding scene? At least half of “Baby Driver” is made up of those scenes, woven together by one of the finest soundtracks ever assembled.
Twenty years ago, Troma, the makers of “The Toxic Avenger” series, launched a screenwriting contest where each week, fans would submit the next two pages of a script, taking the story in any direction they chose.
The moral so far this summer movie season? If you get dumped before an exotic vacation, stay home. Lose the deposit. Eat the whole cost if you must.
The best way to see “Cars 3” is through 3-D glasses. At times, the animation is so remarkable as to appear lifelike.
Like his music, the late hip-hop icon’s movie roles were raw and as hard as the streets.
The legacy of Debbie Reynolds and Carrie Fisher is effectively captured in the HBO documentary “Bright Lights.” The film is screening at 2 p.m. Sunday at Brenden Theaters at the Palms during the Las Vegas Film Festival.
The Dark Universe. The name doesn’t exactly capture the imagination, does it?